It’s durable, it sounds good, and it’s pretty affordable. I can guarantee that you have heard and seen this microphone in action. One of the very best options is the legendary Shure SM58. If you go the XLR route, there are good options at just about every price point. one that connects to your recording device via an audio interface of some kind. Your other option in the microphone category is an XLR microphone, i.e. It has many, if not all, of the same features as the AT2020. I haven’t used it myself, but it’s considered an industry standard for a reason. I still use this regularly for Zoom calls, even though it’s no longer my main microphone. That’s it! It features a headphone jack with a built-in mixer, giving you the option to listen back to your own voice as you record (actually a pretty key feature!) while balancing the volume with another input. It sounds like a bit of a cliche, but this microphone just works. I have firsthand experience with exactly one USB microphone: the AT2020+.
![adobe audition 3.0 price adobe audition 3.0 price](https://producer.musicradiocreative.com/wp-content/uploads/2010/04/robot-voice-effect-440x264.jpg)
This is exactly what I did for multiple seasons of Blue 58, and in a pinch, I’d return to that approach no problem. You plug the microphone into the computer, fire up your software, and you’re good to go. In terms of ease of use, it simply can’t get any better. If you’re just starting out as a podcaster, I’d recommend going with a USB microphone. Here are my recommendations for everything you’ll need to get started as a podcaster. Sure, you can buy everything under the sun, but focusing on the basics (a microphone and recording software) is the best place to start.
![adobe audition 3.0 price adobe audition 3.0 price](https://rekkerd.org/img/articles/adobe_audition3.jpg)
![adobe audition 3.0 price adobe audition 3.0 price](http://workingkeys.org/wp-content/uploads/2016/11/Adobe-Audition-CC-2017-Serial-Keys-Full-With-1024x576.jpg)
But I think podcasting should be accessible to everybody who wants to do it, so I thought I’d put together an equipment guide to at least get you pointed in the right direction. And to a certain point, they are always going to be. How do different microphones affect your recording? What about your software? And how should you treat your room to make your taping sound as good as it possibly can?Īll of these questions are worth pondering, but for someone considering dipping into the podcasting world, they can be overwhelming. For a lot of people (me included) finding just the right equipment is part of the appeal. As a medium, podcasting is very gear-centric.